We’ll begin with coloration movie, which is available in two flavors, optimistic and adverse.
Positive Film vs. Negative Film
Positive movie data the picture as you noticed it if you pushed the shutter. It produces wealthy, saturated colours and tends to have sturdy distinction. It’s a lot much less forgiving in my expertise. You have to get the publicity proper and there is not a lot you are able to do about it after the very fact in the event you do not. I are inclined to keep away from high-contrast scenes with optimistic movie (or use graduated neutral-density filters to cut back distinction). Positive movie is normally mounted as slides when you’ve got it professionally developed.
Negative movie data the alternative of what you noticed. In black and white, every part is reversed, blacks are white, and whites are black in order that if you shine gentle via it to print, the black areas maintain again the sunshine, making them lighter within the print, and lightweight areas let extra gentle via, rendering them darkish within the print. The identical is true of coloration adverse movie, but it surely tends to look extra like a yellow-orange mess as a adverse. Negative coloration movie usually has a softer look than coloration optimistic, with decrease distinction, and better dynamic vary.
Which must you use? I counsel experimenting to see which you want the most effective. Below are just a few movie suggestions primarily based on the kind of photographs you need to make.
Best Film for Landscapes
Fujifilm’s Fujichrome Velvia 50 is ridiculously costly at $35 per roll, however I’ve nonetheless but to search out every other color-positive movie that appears pretty much as good as Velvia. Its coloration saturation is famous (tending towards the crimson/magenta), and its impartial grey stability means you nearly by no means get bizarre colours in shadows and highlights. The value means I do not shoot it fairly often, however when I’m heading out into the wilderness, that is what I deliver.
Kodak’s E100 is a brand new movie for me, however I’ve shot just a few rolls now, and I can say that it is extremely completely different from Velvia. There’s not one of the Velvia heat; colours are quite impartial with a gentle inexperienced solid to the highlights. If you are trying to shoot landscapes with a unique look than the previous 50 years of Velvia-influenced photographs, that is the movie I’d suggest.
Another newish one, Ektar 100 is the movie inventory that come closest to replicating what I consider as a digital look. Grain could be very wonderful, and colours are extraordinarily near what my Sony digital sensor data: natural-looking coloration tending towards the cooler aspect. I’ll confess this is not my favourite, however the value is tough to beat.
Best Film for Portraits
Portrait movies have to deal with pores and skin tones properly. My favourite, Fujifilm’s 160 Pro, has been discontinued, which leaves the ever-popular Kodak various. At $14 a roll, that is in all probability the most effective worth in movie, interval. Porta 160 is a superb movie for portraits, rendering pores and skin just about as it’s more often than not. If you want one thing sooner for taking pictures in low gentle, there’s additionally a 400-speed model and even an 800-speed model. I discover that one to have an excessive amount of grain for coloration portraits, but when that is the look you need, it is obtainable.
Best Black-and-White Films
There’s a seemingly infinite array of black-and-white movies on the market, together with reissued variations of a number of the hottest movies from earlier many years. This is a really biased listing since “best” on this case is solely subjective. Again, experiment to determine which you want.



