26 First Look Wedding Photos from Real Weddings – Love & Lavender

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And right here is the factor no one tells you: a primary look shouldn’t be one photograph. It is the sluggish stroll throughout a garden. It is his palms flying to his mouth. It is the model the place you by no means peek in any respect and simply maintain palms round a doorway. It is the one together with your dad, or your canines, or a staircase, or a view that makes you each go quiet for a second.

So whether or not you’re picturing the basic faucet on the shoulder, a non-public first contact, or one thing a bit goofier, we gathered our favourite first look wedding ceremony images from actual L&L {couples} to encourage your individual. Click any hyperlink to see the complete day. For much more, browse our Real Weddings listing.

Our Favorite First Look Wedding Photos

First up: actual first seems from L&L weddings, each a setup you’ll be able to borrow, copy, or hand straight to your photographer. Click by way of any of them to see the complete wedding ceremony.

Frame His Reaction Over Her Shoulder

Groom in a sage green suit covering his mouth with both hands as he reacts to the bride during their first look, back of the bride's jeweled updo soft in the foreground

If you solely plan one body, plan this one. The photographer shot previous the again of Ramona’s head, let it fall comfortable, and saved Luke razor sharp, so his palms flying to his mouth turn into your complete photograph.

Set yourselves up so the digital camera sits simply behind considered one of you, then let the opposite one disintegrate. Nobody’s face does something pretend after they assume they’re the one one being watched.

See Ramona and Luke’s Pink Industrial Wedding →

Tell It in Two Frames, Approach and Embrace

Two-panel first look at a mountain overlook ceremony site, bride in a cross-back gown walking down a petal aisle toward the groom, then the couple embracing

One photograph says she confirmed up. Two images inform the entire story. Here you get the stroll down the petal aisle whereas Jason seems out on the mountains, then the second he wraps round her.

Ask your photographer to shoot the method and the contact as a pair, and stage it someplace the background already does the heavy lifting, like your precise ceremony overlook.

See Sarah and Jason’s New Hampshire Farm Wedding →

Catch the Half-Second Before He Turns

Bride in a lace gown reaching to tap the groom's shoulder from behind in a manicured boxwood garden, holding a white and greenery bouquet

The finest a part of a tap-on-the-shoulder first look shouldn’t be the flip. It is the beat proper earlier than it, hand on his shoulder, him not understanding but.

Gregg genuinely had no thought what Jo’s gown appeared like, so the photographer planted herself behind him and caught that suspended second within the backyard. Have yours shoot from behind whoever is being tapped.

See Jo and Gregg’s Dallas Garden Wedding →

At the Edge of Something Big

Wide first look of the groom standing at the end of a lake dock as the bride approaches, vivid autumn foliage reflected in the still water

Sometimes the transfer is to make yourselves small. Schuyler stood on the very finish of a dock whereas Amanda got here down it, and the lake and the burning fall treeline did the remaining.

If your venue has water, a area, a cliff, something with scale, again the digital camera means up and let the panorama swallow you each. It reads cinematic with out anybody making an attempt.

See Amanda and Schuyler’s Cedar Lakes Estate Wedding →

Hold Hands Around a Door, No Peeking

Bride and groom holding hands on opposite sides of a tall DIY door covered in Bible pages, eyes closed, surrounded by greenery

Not able to see one another but however need a second anyway? This is it. Holly and Sebastian stood on both facet of a tall door her household lined in Bible pages, held palms, and saved their eyes shut.

The door was not a rental prop, both. It doubled as her ceremony entrance, and her dad constructed the archway behind it. Build the partition out of one thing that already means one thing.

See Holly and Sebastian’s Wisconsin Farm Wedding →

Capture the Whole Reaction as a Sequence

Four-panel grid showing a first look reaction sequence at a Lake Tahoe lodge, the groom approaching, turning, laughing, and embracing the bride while the bridal party watches in purple

One body can’t maintain a response this quick, so don’t ask it to. Juliana’s photographer fired off the entire thing, the method, the flip, the giggle, the seize, and laid it out as a grid.

Their bridal get together stood watching within the background your complete time, which is its personal bonus. If you need the response, ask for burst frames, not one excellent click on.

See Kevin and Juliana’s Lake Tahoe Wedding →

Save a First Look for Your Dad

Bride in a lace ballgown and cathedral veil tapping her father's shoulder for a first look in front of grey barn doors

First seems aren’t just for the individual you’re marrying. Hilary did one along with her dad, tapped his shoulder in entrance of a set of plain barn doorways, and let him take within the gown earlier than anybody else fought for his consideration.

It is a small, simple add to the timeline and it tends to wreck the dad and mom in one of the simplest ways. Pick a clear backdrop so nothing competes along with his face.

See Jonathan and Hilary’s Victor Vineyards Wedding →

The Grin the Instant He Turns

Groom in a grey suit turning and smiling during the first look, seen over the bride's veil and framed by draping willow branches at a farm

Shot from simply behind Emily’s veil, this one catches John mid-turn, the precise body the place the well mannered ready face cracks into an actual grin.

The willow branches hanging into the highest of the body are doing quiet work too. Find a tree with low, drapey limbs, stand beneath it, and have your photographer shoot the flip over your shoulder.

See Emily and John’s Pond View Farm Wedding →

Split by a Column, Joined by Hands

Bride and groom on opposite sides of a carved wooden column holding hands and bowing their heads, in a vintage home interior

Architecture makes an ideal chaperone. Mandy and Adam tucked onto reverse sides of a carved porch column, reached round it to carry palms, and bowed their heads for a quiet second earlier than the noise began.

If your venue has a column, a wall, or a large doorframe, use it because the divider for a primary contact. The {hardware} handles the no-peeking half for you.

See Mandy and Adam’s Succop Nature Park Wedding →

Shoot Her From Behind, Dress and Back

Bride seen from behind walking toward the waiting groom down a brick path, wearing a Hayley Paige gown with a V-back and chevron skirt, green garden archway with white hydrangeas

Standing behind the bride is a two-for-one. You get the ready groom up forward and the complete again of the gown in the identical body, which right here means Kaitlyn’s open V-back and that chevron organza skirt mid-swish.

The backyard archway wraps the entire thing like a tunnel. Worth doing in case your robe has a again value exhibiting off.

See Kaitlyn and Nathan’s Denver Botanic Gardens Wedding →

Use a Mirror to Catch the Reflection

Bride with a long cathedral veil and beaded gown facing the groom in a navy suit who wipes his eye during an indoor first look, her reflection caught in an ornate mantel mirror

An indoor first look has a trick up its sleeve: mirrors. Jaclyn tapped Nathan in a gilded Newport sitting room, and as he turned to wipe his eyes, the mantel mirror caught her reflection in the identical shot.

Two angles, one click on. If you’re preparing someplace with good mirrors and good gentle, do the primary look proper there as a substitute of trekking outdoors.

See Jaclyn and Nathan’s Newport Wedding →

Let the Season Fill the Frame

Wide first look of the bride and groom facing each other across a clearing covered in fall leaves, golden autumn canopy overhead

Some weddings ought to lean all the way in which into their season, and a fall wedding ceremony is exhibit A. Kelsey and Josh confronted one another throughout a clearing carpeted in yellow leaves, with the cover nonetheless dropping extra overhead.

Their households watched from the sting of the body with tears of their eyes. Pick the date for the foliage, then body huge sufficient to let it run the present.

See Kelsey and Josh’s Crystal Lake Fall Wedding →

Ham It Up Before the Reveal

Bride sneaking up behind the groom in a royal blue tuxedo with a finger to her lips, in a cobblestone Paris courtyard with a lion-head fountain
Groom waiting with his eyes closed while the bride peeks out from behind him with a playful shrug, in an ivy-covered Paris courtyard

Public service announcement: your first look doesn’t need to make anybody cry. Juliet snuck up on Benoit in a cobblestone Paris courtyard, finger to her lips, then popped out from behind him with a full ta-da shrug whereas he saved his eyes politely shut.

If you two are extra goofballs than weepers, inform your photographer that up entrance and let the character run.

See Benoit and Juliet’s Paris Riverboat Wedding →

Let a Personal Detail Anchor the Frame

Groom's green tartan kilt and sporran filling the soft foreground while the bride is in sharp focus approaching down a wildflower garden path past an adobe building

A daring element can carry the foreground even when it’s comfortable. Ross waited in a full tartan kilt and sporran, a nod to their Scottish-inspired day, and the sample nonetheless grabs your eye first whereas the main focus stays on Kara as she comes up the wildflower path behind him.

If there’s a element that’s deeply you, a kilt, an heirloom, a wild go well with, put it near the lens. Color and form make it learn even out of focus.

See Kara and Ross’s Scottish-Inspired Arizona Wedding →

Have Her Descend a Grand Staircase

Groom in a navy suit waiting at the bottom of a grand stone staircase as the bride descends, classic hotel interior

A staircase turns an entrance into an occasion. Steven waited on the backside whereas Eloise got here down the sweeping steps, and also you get all that top and grandeur in a single body.

They did theirs on the staircase at The Plaza, which, certain, raises the bar. But any huge stairway, resort, courthouse, or dad and mom’ lobby, offers you a similar descending-bride drama.

See Eloise and Steven’s Central Park Boathouse Wedding →

Let Your People Walk You In, Eyes Covered

A bridesmaid in a periwinkle dress and a groomsman in a tan suit each covering the bride's and groom's eyes, walking them together for a first look in front of a stone barn wall with a LOVE sign

Want a real simultaneous reveal the place you each see one another at the very same second? Recruit assist. A bridesmaid lined Kate’s eyes and a groomsman lined Kris’s, then walked them face-to-face earlier than letting go on the rely of three.

It is playful, a bit chaotic, and it pulls your wedding ceremony get together into the second as a substitute of leaving them on the sidelines.

See Kate and Kris’s New Jersey Barn Wedding →

Stand Back-to-Back

Bride and groom standing back-to-back holding hands on a railing, smiling, with Mercedes-Benz Stadium in the Atlanta skyline behind them

The back-to-back hand-hold is the cool-kid model of the primary contact, and it loves a backdrop. Lexi and Kwam arrange on a railing with the Mercedes-Benz Stadium filling the skyline behind them, no peeking, simply shoulders touching and palms linked.

Find a spot the place the view behind you means one thing, then flip your backs to one another and your faces to the digital camera.

See Lexi and Kwam’s Atlanta Brewery Wedding →

Pick a Backdrop With Real Color

Groom in a blue plaid vest sharp in the foreground while the bride emerges from bright red barn doors with yellow arches and flower beds behind her

Most first seems stay in comfortable neutrals, so a loud backdrop is a real flex. Corey waited within the venue courtyard whereas Katy emerged from a set of brilliant pink barn doorways, full with a stone lion and overflowing flower beds.

Everything clicked for them the second he noticed her. If your venue has a wall, door, or mural with actual shade, level the comfortable background straight at it.

See Katy and Corey’s Crooked Willow Farms Wedding →

Hide Around a Tree

Bride and groom holding hands on opposite sides of a large tree trunk for a first touch, neither one looking, in a lush green garden

A large tree trunk works similar to a column or a door for a primary contact. Kimberley and Nick stood on reverse sides of 1, held palms across the bark, and saved their eyes off one another till the ceremony.

It was the non-traditional first look they had been after, they usually labored their canines into the day’s images too, although the pups themselves aren’t on this specific body. Any sturdy trunk on the property does the job.

See Kimberley and Nick’s Caledon Wedding →

Two Figures, One Big Sky

Minimalist wide first look of the bride and groom standing apart on a grassy hilltop against a big blue sky, bride holding a sunflower bouquet

Proof that you are able to do nearly nothing and have it land. Emily and William stood aside on the crest of a grassy hill beneath an enormous blue sky, with a sunflower bouquet for the one pop of shade.

All that vacant house makes the 2 of them your complete story. If you’ve gotten an open area and a clear sky, resist the urge to fill the body.

See Emily and William’s Sunflower Wedding →

Sit Him Down to Wait

Groom seated on a wooden bench at the end of a pier facing a green pond, red socks showing, as the bride approaches seen over her veil

Almost each groom stands for the primary look, so a seated one quietly stands out. Marty waited on a wood bench on the finish of a pier, pink socks and all, whereas Jessica approached and the photographer shot previous her veil.

Sitting reads calmer and provides the digital camera a cleaner line over your shoulder. Bonus factors for a enjoyable sock.

See Jessica and Marty’s Greenhouse Garden Wedding →

Let a Curved Staircase Frame Her Entrance

Groom in a navy suit and mint bow tie waiting at the base of a curved stone staircase as the bride descends above him, against an ivy-covered terracotta wall

A curved out of doors staircase provides movement a straight aisle can’t. Rodolfo waited on the base in opposition to a heat terracotta wall trailing ivy whereas Emily got here down the spiral above him, robe trailing throughout the steps.

The curve pulls your eye proper right down to him. If your venue has sculptural stairs outdoor, that’s your spot, heat gentle included.

See Emily and Rodolfo’s San Miguel Vineyard Wedding →

Crop In Tight on the Hands

Close-up of the bride and groom's clasped hands around a doorframe during a first touch, beaded gown sleeve and rolled shirt cuff visible

Katelyn and Jonathan skipped the look totally and wrote one another notes, studying them whereas holding palms round a doorframe, shut however unseen. The photographer cropped in tight on simply the clasped palms, her beaded sleeve, his rolled cuff, and let that be the entire picture.

A element crop like this makes an ideal companion to a wider shot. Sometimes the palms say greater than the faces.

See Katelyn and Jonathan’s Vineyard Wedding →

Have Him Wait With His Eyes Closed

Groom in a light grey suit and sage green tie waiting with his eyes closed on a tree-lined gravel farm lane as the bride approaches behind him

Eyes-closed ready cranks up the stress, you’ll be able to really feel him not-looking. Justin stood on a tree-lined gravel lane along with his eyes shut and a sage inexperienced tie that quietly echoed their tea-themed sage wedding ceremony whereas Kristina got here up behind him.

Tie a wardrobe element to your palette and it pulls double responsibility within the foreground. Then simply inform him to maintain them closed till you say.

See Kristina and Justin’s Tea-Themed Farm Wedding →

Put Her within the Foreground

Bride sharp in the foreground holding a burnt-orange autumn bouquet while the groom waits under a tree by a pond in the soft background

Nearly all of those maintain the groom up entrance, so flip the script. Nicola stood sharp within the foreground with a burnt-orange bouquet whereas Anthony waited beneath a tree by the pond behind her, each in body, neither one trying.

Putting the bride closest to the lens is a pleasant change-up if you already have the usual model. Same calm, completely different lead.

See Nicola and Anthony’s Rustic Country Wedding →

Both of You, Hands Over Eyes

Bride in a strapless gown and groom in a tan vest standing side by side, each covering their own eyes with both hands, in front of a grey brick wall

The lowest-effort no-peeking shot wants no tech and no helpers in any respect. You simply cowl your individual eyes. Kathryn and Taylor stood facet by facet in opposition to a gray brick wall, every with each palms clapped over their face, goofy and recreation.

Kathryn mentioned the primary look was pure pleasure and angst directly, and precisely what she wanted. Easy to arrange, and it makes an ideal lead-in body earlier than the true reveal.

See Kathryn and Taylor’s Union on Eighth Wedding →

Find a Clean, Modern Wall

Groom in a navy suit sharp in the foreground and smiling while the bride is soft-focus behind him against a clean modern concrete wall with horizontal lines

Not each backdrop wants flowers and barns. Matt waited in entrance of a plain concrete wall with crisp horizontal strains, Alyssa comfortable behind him, and the entire photograph feels trendy and uncluttered.

City and industrial venues are full of those surfaces. Just search for clear geometry and even gentle. Sometimes probably the most fashionable background is the emptiest one.

See Alyssa and Matt’s Grand Rapids Wedding →

FAQs

Does a primary look wreck strolling down the aisle?

Short reply, no. Seeing one another early doesn’t cancel the aisle, it simply offers you two huge moments as a substitute of 1. Plenty of {couples} say the primary look really steadies their nerves, to allow them to be current for the ceremony as a substitute of shaking by way of it. You nonetheless get the stroll, the music, the held breath. You have simply already had your personal cry.

When must you schedule a primary look?

Most first seems occur a few hours earlier than the ceremony, as soon as you’re each absolutely dressed and the sunshine continues to be comfortable. Block off round 20 to half-hour so no one feels rushed. The timeline payoff is actual: you’ll be able to knock out couple portraits and even some household images beforehand, which suggests you may really make it to your individual cocktail hour.

What is a primary contact, and the way is it completely different?

A primary contact is for {couples} who need the personal second with out seeing one another but. You stand on reverse sides of a door, wall, column, or tree, maintain palms round it, and simply discuss, pray, or learn notes. You get the nerve-settling intimacy and nonetheless save the visible reveal for the aisle. Several of the images above are first touches, they usually {photograph} superbly.

Do you continue to get good response images when you do a primary look?

Often higher ones, actually. A primary look is calm and unhurried, so your photographer can get shut, work the angles, and catch the true response as a substitute of a long-lens guess from the again of the ceremony. Ask for the shot from behind whoever is being stunned. That is the place the unguarded face exhibits up.

Can you do a primary look with somebody apart from your accomplice?

Absolutely, and it is best to give it some thought. First seems with a guardian, your children, or your wedding ceremony get together have a tendency to supply a number of the most emotional images of the entire day. The first look with the daddy of the bride additional up is an ideal instance. It is a tiny addition to the timeline that pays off in tears.



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